Blogishness, Just Another Meat Eating Dirtbag

New Book Coming out! A Graphic Memoir!

Graphic Memoir Just Another Meat-Eating Dirtbag
Click to Purchase!

I cannot believe it’s been five years since my last book Civilianized: A Young Veteran’s Memoir came out! I guess it’s time for another! This November 8th I have a new graphic memoir coming out and if you’re not familiar with graphic memoirs they’re this amazing–newish–growing medium that combines graphic novels (illustrated story-telling) with the honesty and self-reflection of memoir.

A few examples of great graphic memoirs are Rosalie Lightning, Come Home Indio, Tom Boy, I’m a Wild Seed and Fun Home

My new book is titled: Just Another Meat-Eating Dirtbag: A Memoir and here’s what it’s about: 

A rough-and-tumble Iraq War veteran is young and in love, and the last thing on his mind is food and the ethics of eating meat. But when his girlfriend becomes a vegetarian and animal rights activist, suddenly food is all he thinks about. 

A true story of how love and vegetarianism can triumph over all else. Love, heartache, and the rest of the ingredients that make a reader laugh, smile, stop-and-think, are all found in this enthralling graphic memoir. Amidst the stories of love and frustration, there are treatises on food, vegetarianism, and the ethics of the animal rights movement (some of it juxtaposed against Michael’s graphic wartime experiences). Told with Michael’s sardonic perspective and the delightful artwork of debut graphic novelist Chai Simone, this is a journey of true love gone temporarily astray.”

I think it’s some of my best work yet and I’m super-stoked and honored to have worked with the amazon artist Chai Simone and the amazing Indie Publisher Street Noise Books (more on them both later).

Anyway, if you’ve read any of my stuff before I think you’ll definitely enjoy this book, and make sure to pre-order it on amazon or at your local bookstore (pre-orders help with some sort of algorithm for books and stuff, so make sure to buy a copy today!) 

Graphic Memoir Just Another Meat-Eating Dirtbag
Purchase today!
Best Of, Blogishness, Blogishness, Writing

Fuck Patois – Charlotte Simmons and Tom Wolfe

Recently, I finished reading I Am Charlotte Simmons: A Novela novel by Tom Wolfe. I loved the book and, as always, loved Tom Wolfe’s writing style and way of dissecting his subject matter, which in this case was collegiate life, sex (as always), racism, coolness, and (also, as always) the general maladies of life.

One thing that he kept repeating throughout the book though, was the term “Fuck patois,” in relation to the language that young college-aged folks use nowadays (also “shit patois”).

I wasn’t familiar with the term “patois” and had to look up the definition: “the dialect of the common people of a region, differing in various respects from the standard language of the rest of the country.”

It wasn’t a major part of the theme/plot of the book, but I found his musings on the “fuck patois” and “shit patois” interesting; especially since, for those of you familiar with my own writing, the military and veterans, have their own special usage of “fuck patois” and “shit patois.”

Here are some quick “Fuck Patois” and “Shit Patois” paragraphs that stand out from the text:

Without even realizing what it was, Jojo spoke in this year’s prevailing college creole: Fuck Patois. In Fuck Patois, the word fuck was used as an interjection (“What the fuck” or plain “Fuck,” with or without an exclamation point) expressing unhappy surprise; as a participial adjective (“fucking guy,” “fucking tree,” “fucking elbows,”) expressing disparagement or discontent; as an adverb modifying and intensifying an adjective (“pretty fucking obvious) or a verb (“I’m gonad fucking kick his ass”); as a noun (“That stupid fuck,” “don’t give a fuck”); as a verb meaning Go Away (“Fuck off”), beat-physically, financially, or politically (“really fucked him over”) or beaten (“I’m fucked”), botched (“really fucked that up”), drunk (“You are so fucked up”); as an imperative expressing contempt (“Fuck you,” “Fuck that”). Rarely—the usage had become somewhat archaic—but every now and then it referred to sexual intercourse (“He fucked her on the carpet in front of the TV”).

The rest of the trip fell into a regular pattern. The frat boys and the sorority girls sang songs—they shared gossip—the two bitches were superb at filleting people’s reputations while seeming to be merely adding little details—they turned whatever they could into sexual innuendo—they indulged their predilection for Shit Patois. Charlotte had been aware of Fuck Patois from the day she arrived at Dupont, but it was not until spending hour after hour after hour cooped up in this SUV that she realized how cool it apparently was to use shit in every way possible: to mean possessions (“Where’s your shit?”), lies or misleading explanations (“Are you shitting me?” “We need a shit detector”), drunk (“shit-faced”), trouble (“in deep shit”), ineptitude (“couldn’t play point guard for shit”), care about (“give a shit”), rude, thoughtless, disloyal (“really shitty thing to do”), not kidding (“no shit?”), obnoxiously unpleasant (“he’s a real shit”), mindless conversation (“talking shit,” “shooting the shit”), confusing story (“or some shut shit”) drugs (“you bring the shit?”), to egest (“take a shit”) to fart in such a way that it become partly egestion (“shart”), a trivial matter (“a piece of shit”), unpleasantly surprised (“he about shit a brick”), ignorance (“he don’t know shit”), pompous man (“the big shit,” “that shitcake”), hopeless situation (“up Shit Creek”), disappointment (“oh shit!”), startling (“holy shit!”), unacceptable, inedible (“shit on a shingle”), strategy (“ohthat shit again”), feces, literally (“shit”), slum (“some shithook neighborhood”), meaningless (“that don’t mean shit”), et cetera (“and massages and shit”), very (“mean as shit”), verbal abuse (“gave me shit”), violence (“before the shit came down” or “hit the fan,” “don’t start no shit,” “won’t be no shit”). Still, they didn’t neglect Fuck Patois…

Blogishness, military, ptsd, Uncategorized, Writing

Can Stress Make Us More Creative? Writing, Art, And Combat Veterans…

I was recently watching this Ted Talk titled How Frustration Can Make Us More Creativeand the talk is basically about exactly what the title describes: How frustration, those hair-pulling moments, can actually lead us to some of our greatest moments of creativity.

This got me thinking about combat veterans and why I’m seeing so many of them turn to the arts after the war.

Who doesn’t know about Edgar Allan Poe? He is famous around the world for his powerful poems and short stories, but not everyone knows that he was a member of the US Military before he became a great novelist (there’s even a funny story of him showing up naked to formation). Just like him, a lot of veterans are successfully letting go of their dark and traumatic pasts and venturing into self-expression through different art media.

[pullquote]”Sometimes, we need to go through those hurricanes and rainstorms, to see and appreciate the sun.”[/pullquote] The mid-1900s was really a dark period in history as this is when numerous wars took place. Members of the military had to be in the battlefield for many weeks, months, or even years. Aside from having no means of keeping in touch with their families, veterans were exposed to a hostile environments, without any avenue for peace and quiet. This intimidating and disturbing experience took a toll on most of them, even after the war. Unfortunately, a lot of veterans who served during the war(s) were diagnosed with Post-Traumatic Stress Disorder or PTSD, which could result to trauma, apathy, or depression.

Stress is a negative emotion and people have associated it with trauma, apathy, or depression. Because of what happened in the past, people somewhat expect veterans to be demotivated and a lot less outgoing. However, with the right mindset and tons of encouragement from family members, friends, and other concerned citizens, some veterans were able to overcome this stage in their life with the help of arts.

Psychologists have proven the power of visual, written, or performing arts as an effective therapy for people with PTSD. A traumatic experience could overwhelm a person; thus, he may distance himself away from people and completely avoid interaction. People with PTSD are usually scared to vent their feelings and emotions, worrying that any form of reminder of the experience they have been though could be unbearable. With the help of different types of art such as writing, painting, playing instruments, or performing in theaters, veterans now have a channel to let go of their suppressed emotions, fears, anxiety, and loneliness. Any of these mediums give a veteran a sense of entitlement and a spark of positivity, something that they have been deprived of during the war period.

Today, there are many non-profit organizations that serve as avenues for veterans to explore their creative side. These organizations provide support and training for veterans and help them smoothly transition from military to civilian life. They also pay honor and recognition to the invaluable contribution of our veterans with programs and activities that campaign and promote the overall well-being of U.S. veterans and their families.

Groups like Warrior Writers and Words After War encourage veterans to utilize creative writing as a means of communication and self-expression. Other groups such as the United States Veterans’ Artists Alliance (USVAA) and the United States Veterans Art Program (USVAP) offer a holistic approach and a more comprehensive artistic media such as music, theater, photography, and film. Despite the differences in each group’s method or type of approach, their goal and mission is one and the same — to help veterans let go of their traumatic past and realize that there is life after war, and it is beautiful.

I think this is why beauty can come out of some of the ugliest of places. Sometimes, we need to go through those hurricanes and rainstorms, to see and appreciate the sun. There is nothing uglier than war and it’s why so many combat veterans are flocking to the arts. The storms have filled them with creativity inside and they need a release. It’s also why I think so many therapies that help veterans with PTSD include the arts. There’s a certain pent-up-ness that veterans need to get out and if they keep it inside too long, it leads to mental constipation. Art gives them that release from the frustration.

Civilianized: A Young Veteran’s Memoir

In this dark humored War Memoir, Iraq veteran Michael Anthony discusses his return from war and how he defeated his PTSD. Civilianized is a must read for any veteran, or anyone who knows a veteran, who has returned from war and suffered through Post-Traumatic Stress Disorder (PTSD).

dark humored military memoir“An intense memoir.” -Kirkus

“I wont soon forget this book.” -Mary Roach

“A must read.” -Colby Buzzell

“[S]mart and mordantly funny.” –Milwaukee Journal Sentinel

“Anthony delivers a dose of reality that can awaken the mind…” Bookreporter

Order your copy of Civilianized: A Young Veteran’s Memoir .

Blogishness, Quote

Thought for the Day – Mary Louise Roberts (sex & war)

“During their time in France, the GIs bought an extraordinary amount of sex. Prostitution became a widespread phenomenon during the years 1944-45 because sex was the one good not available at the local military store.” – Mary Louise Roberts 

This quote is from Mary Louise Roberts’ book, What Soldier’s Do: Sex and the American GI in World War II France. The book is about, well… exactly what you’d expect from the subtitle. It’s about all the sexing that GI’s were doing after liberating France from the Germans. And oh man, was there a LOT of sex!

What I loved about this book is that it takes on an interesting/controversial topic. Many people, who’ve never served their country and/or fought in a war, have a type of mythos surrounding war and the military. As though soldiers stop being people when fighting and merely become “soldiers.” But the truth is that a soldier is still just a person, and guess what, people like sex.

[pullquote]”Comprised of the contact of flesh and the exchange of bodily fluids, the sexual encounter between soldier and prostitute could not have been more intimate. At the same time, however, such intimacy became deeply politicized as it crossed national borders.”[/pullquote]Anyone who’s served in the military, or who enjoys history, knows the stories… it happened in WWII, Korea, Vietnam, and even Iraq. I had one friend tell me that “If you’re ever in Baghdad … just go to the drycleaners on base and tell them you lost a red sweater, then a few minutes later they’ll send a girl to your room.”

Now, with me sharing that red-sweater story, and Roberts’ sharing her stories, a lot of people will become upset that these stories, no matter how truthful, shouldn’t be told because of the light in which they present soldiers. That’s a bunch of bullarky. No soldier fights and risks his life just to have history whitewashed. Interesting stories should be told, no matter how they make someone/something look. And a story about the liberation of France, told from the POV of prostitutes, is definitely an interesting story that needs to be told.

Here’s the beginning of Chapter 5: The Silver Foxhole, to give you an idea of what you’re in for:

“The liberation of Paris was a precarious time for prostitutes like Marie-Therese Cointre, who had plied her trade with the Germans. In August 1944, a neighbor invited her to go out to welcome Charles de Gaulle. “If you want to get a punch in the mouth, that’s fine, but I’m not going!” she replied. Cointre knew all too well that the French Resistance of FFI was publicly shaving the heads of women who had slept with Germans during the occupation. In the turbulence of the Liberation, the FFI sometimes failed to make the distinction between a professional prostitute and a French woman guilty of “horizontal collaboration.”

If you’re interested in history, sex, and prostitution, pick up a copy of the book (but be forewarned, the author does a bit of political proselyting–just keep that in mind.)

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Thought For The Day – Friedrich Nietzsche on War

“War and courage have done more great things than charity. Not your sympathy, but your bravery hath hitherto saved the victims.” – Friedrich Nietzsche

This is a controversial Nietzsche quote–one of many–but it’s one that I actually agree with.

Too often a tragedy strikes and people give their “thoughts and prayers,” to the victims, but typically, it ends there. Sure, they’ll tweet and post caring messages on Facebook, but in all honesty, does that do anything? Anything at all for the victims? It’s sad to think about, but most people, in the face of tragedy, actually do nothing. They maybe, at most, donate a few dollars to charity and then go living their lives.

Charity’s then take the money, pay their staff first, host a couple of expensive charity events–remember the sad state of affairs of Wounded Warrior Project (which was once a great organization)–and then after all that, only a little bit of the money donated to charity will actually go to the victims.

In the face of tragedy, it’s the brave and courageous, not the charitable, that make all the difference.

It’s fine to give “thoughts and prayers,” but please be aware that, sometimes, the answer to those prayers is God using the fist of the brave.

When WWII happened, America just didn’t sit by and give our “thoughts and prayers,” we gave the blood of our bravest.

I am not a war-hawk by any means, but when I see the tragedies caused by terrorists at home and abroad, and then I see social media filled with “thoughts and prayers,” but no one taking action, it’s another tragedy.

What are your thoughts? Agree? Disagree?

Blogishness, Quote

4 Friedrich Nietzsche Quotes on War

Here are a few Friedrich Nietzsche quotes on war from his book Thus Spoke Zarathustra.

“War and courage have done more great things than charity. Not your sympathy, but your bravery hath hitherto saved the victims.”

“If one would have a friend, then must one also be willing to wage war for him: and in order to wage war, one must be capable of being an enemy.”

“That there is struggle and inequality even in beauty, and war for power and supremacy: that doth he here teach us in the plainest parable.”

 “No one ever spake such warlike words: ‘What is good? To be brave is good. It is the good war that halloweth every cause.'”

Keep in mind that much of what Nietzsche spoke of was in reference to internal wars, as much as external ones.

 

Blogishness, Blogishness, Comedy

The New Impractical Jokers Card Game – Play at the bar with friends! (Pics included)

impractical jokers card gameThe show Impractical Jokers is one of the funniest things on TV right now. In case you’re not familiar, it’s a reality series where four friends Joseph “Joe” Gatto, James “Murr” Murray, Brian “Q” Quinn and Salvatore “Sal” Vulcano challenge each other to complete ridiculous pranks (which are, of course, filmed by hidden cameras).

It might not sound like much, but it’s a hilarious show. Trust me, try out a few episodes–it’s one of those shows where you need two or three before you get into it (that’s how it was explained to me and I fully agree; when I saw my first episode I was like “Yeah, this is okay,” but by episodes three and four I was hooked!)

Anyway, here’s why I’m writing about the Impractical Jokers today: Whenever I watch the show, part of the fun is imagining myself and my friends in similar situations and pulling similar pranks. This got me thinking, and as I result I invented: The Impractical Jokers Card Game!

Here’s the front of the cards:impractical jokers card game

There are two sets of cards:  Challenge Cards and Punishment Cards (samples below).

How to play: You and a group of friends go to a bar (or some other public venue) and each person draws a challenge card. [The challenge cards are all based on challenges that the Jokers have done on their TV show; I tried to choose simple challenges, that the casual fan would have fun with and be able to accomplish while at a bar with friends. (Also included are Joker VS Joker Challenge Cards and Jokers Wild Cards–where your friends choose your challenge!)]impractical jokers card game joe gattoimpractical jokers card game james murr murrayimpractical jokers card game brian quinn

impractical jokers new card game sal vulcanoAfter each participant either completes or fails their challenge, all losers will then draw a punishment card (other option is that you continue with the challenge cards until there is only one loser).

impractical jokers card game jaden smithThe punishment cards also have a different back than the challenge cards (so they can easily be told apart).

impractical jokers new card game punishment cards

The punishments are nothing like they are on the show. They’re more simple, buy a round of beers or appetizers for your friends, automatic designated driver next time you all go out, give your friends your phone and let them post a Facebook update for you, etc.

Now, here’s the deal. This is a supper fun game, I’ve played it with friends, but I’m not here to sell you the game. What I need though is your help in contacting the Jokers and convincing them to create an official Impractical Jokers Card Game. It’s hard coming up with challenges and punishments and I think we need the Jokers to add their magic touch and create a fun game that all us Impractical Jokers fans can take with us to the bar with friends.

If you want to help, just link the idea/images to the Jokers on Facebook, Instagram or Twitter, etc. Maybe it catches on, maybe it doesn’t. Just a fun idea I had and wanted to see if there was any traction.

Thanks guys!

Blogishness, Blogishness

Publishing A Book With An Indie Publisher Versus A Big Publisher

Open Book Indie Publisher

In a publishing climate where there are two options to publish (self publishing and traditional publishing), not a lot of people think about indie publishers (small presses) to prepare and release their works to the public.

In fact, many authors and publishing professionals actively discourage aspiring authors from signing with indie publishers, due to the fact that many of them think it’s, well, not worth it.

You Could Pick Traditional or Self Publishing, But….

An author with a finished book spends time polishing, re-reading and then polishing it once more before thinking about publishing. At this point, an author might be thinking about giving a traditional publisher a shot. Or they might want to head to Amazon and self publish the book and see what happens. Interestingly enough, both options lack some of the resources that an author would want for their book from the start.

Giving traditional publishing a shot starts with a query letter, which the author has to write and customize for each literary agent they’ll contact. Then they have to send the manuscript, sometimes printed out, to the agents if they request a partial or full manuscript of their book. Sometimes, this doesn’t happen at all—most people experience this step. If you’re lucky enough, you’ll move to the next step, which is getting signed by your agent and moving on to preparing the book for sale—which sometimes involves an extensive rewrite.

When you’re shooting for traditional publishing, keep this in mind: you’re writing a book to sell. It’s very rare for an agent to take on a manuscript that’s not as marketable as what you’d normally see on the bestseller lists.

Self publishing, on the other hand, skips all the aforementioned steps and allows authors to put their book on the market as soon as it’s all ready. Savvier people get works out on the Amazon marketplace in just a day. Self publishing, however, does take a lot of effort. Not only do you have to produce the work, you have to edit as you can, market and make your product look professional. And yes, you can hire other people to do the work, but that takes more money and time.

Going with a small publishing press, however, can change all of that. Indie publishing companies arguably combine some of the best elements of both traditional publishing and self publishing, producing an experience that allows authors to publish without, well, the hassles of publishing.

The Case with Indie Publishing

Small presses, also known as indie publishing companies, typically take on a smaller number of clients – in this case, authors. They’re responsible for handing the publishing of their signed author’s work, in addition to offering them in-house services like editing and marketing. Reputable small publishers don’t ask authors to pay an upfront fee for submissions or any other service they provide—and those that do immediately get called out as a scam service.

Between scams and small scale operations, another reason why some people don’t sign with an indie publishing company is copyright or, rather, the rights to their written works. Nowadays, many career authors are waiting for rights from their small press books to revert back to them, so they can self publish their books. Others outright pull their books from small presses, preferring to self publish in order to maintain control over their works.

The points that we covered are pretty much the main arguments against indie publishing. A lot of what indie publishing accomplishes, according to some, isn’t worth the effort if you’re not going through traditional big publisher. Others also argue that a small press doesn’t give authors the control that self publishing offers.

Publishing with an indie publishing company, however, can provide benefits that traditional and self publishing don’t offer. So, let’s review some of those benefits.

The Benefits of Publishing with a Small Press

So, you’re probably wondering what are the benefits of publishing with an indie press? Let’s not waste any more time:

Small presses don’t require authors to have an agent.

Indie publishing companies notably accept submissions from all eligible authors—as long as your book meets the submission requirements, you can send it in. Of course, you’ll have to wait until the small press opens their submissions for the public.

Some small presses are always open to submissions from unsolicited and agented writers. If your manuscript doesn’t get accepted, you’re likely to get a letter explaining what to do to improve your work before resubmitting again in the future.

Small presses provide editing, marketing and other author services.

Both traditional and self publishing require a significant degree of author intervention—yes, traditional publishing also requires a significant amount of author support nowadays.

If you’re working with a small press, however, you’ll likely not need to do much marketing or even editing, because your publisher will handle that work for you. Indie publishing companies typically employ professionals who handle editing, marketing and other book-related services to ensure that the books that get published each year are up to their established standards.

Small presses allow authors to publish books in a small niche to a wider audience.

Self publishing allows authors to publish books in countless small niches, but there’s a problem. Without marketing, many self published authors are unable to get eyes on their books. Small presses often accept book submissions in smaller niches, which helps put authors’ books in front of the eyes of readers.

Many indie publishing companies specialize in different niches, too. So, if you have a book that fits their niche, you probably should try and see if your submission will get accepted. It’s worth a shot!

Picture: Flickr/Alex Proimos

Best Of, Blogishness, Blogishness, Book Notes, MFA Notes, Politics / News, Politics / News, ptsd, Self Improvement / Healthy Living, Self Improvement / Healthy Living, Uncategorized

Annotative Essay on the book: ‘All Quiet on the Western Front,’ by E.M. Remarque

all quiet on the western front annotative essay

all quiet on the western front book cover

When soldiers are sent to the trenches of war, amongst the necessity for their rifles, daily food rations and combat boots, there is also a necessity for them to have left their loved ones behind. No families are allowed on the front lines, for just as a man would never masturbate in front of his dear mother; neither would he commit an act of war.  Those things which happen during battle are for warriors’ eyes only.  But what E.M. Remarque does in his work of fiction, All Quiet on the Western Front, is to bring war to the eyes of those who have never seen it; and it is through his detailed depiction of the inner landscape of a soldier’s soul, that he gives vision to the families, and creates a truly unique work of literary fiction.

[pullquote]”A good book forces a man to convalesce into himself and write in the margins his deepest thoughts; spurred on by a word or phrase.”[/pullquote]We are carried through the book by E.M. Remarque’s main character, Paul, whose internal thoughts, emotions and musings, teach us more about war than every General and Politician, combined. No television personality or Pulitzer Prize winning journalist could convey what a soldier, who was there, can with a mere look of the eye, or a single spoken sentence, “The war has ruined us for everything.”  It is in this way that the author shows his hand; for within the first ten pages, I knew that the author had to be a combat veteran himself—after a Google search I discovered that I was right.  A reader can always intuitively feel when an author has ‘been there,’ and ‘done that,’ and not merely been to the library and done the appropriate research.  It’s why writers throughout the ages have continued to give the sage advice “stick with what you know.”  Anything else is unacceptable, phony.  And this is where the author’s true talents lay.

As a reader I felt more as though I were reading a man’s private journal than reading a work of fiction, for in the same way that fiction can feel more real than non-fiction, the author found a way to have his story told fully and personally. This is excellently done on E. M. Remarque’s part, because when an author writes a good book, it truly should act as a journal for the author’s character, and become a journal for the reader.  A good book forces a man to convalesce into himself and write in the margins his deepest thoughts; spurred on by a word or phrase.  A typical work of fiction or non-fiction hardly drives a reader to write in the margins, or to stop and pause as he ponders over a thought which has, seemingly, randomly popped into his head.  The author’s greatest achievement isn’t his descriptions of the actual landscape of war, nor his political descriptions and breakdowns of the madness of war, although both are well done, his real style is in his ability to bare a man’s/character’s soul and have the reader feel as though they are reading non-fiction rather than fiction.

“We have become wild beasts. We do not fight, we defend ourselves against annihilation.  It is not against men that we fling our bombs, what do we know of men in this moment when Death is hunting us down—now, for the first time in three days we can see his face, now for the first time in three days we can oppose him; we feel a mad anger.  No longer do we lie helpless, waiting on the scaffold, we can destroy and kill, to save ourselves, to save ourselves and to be revenged.”

It is through detailed musings like this which we learn more about the author, the characters, and the story itself, then we could through the scenery of the trees, scenes of actual battles, or dialogue. As stated before, the author excels in all three aspects, but what truly makes his work unique is the inner, not the outer.  Although, in order for the author to truly make his internal musings as powerful as he does, he sets things up by first building up the scenery of the war, “The wire entanglements are torn to pieces.  Yet they offer some obstacle.  We see the storm-troops coming…” deepens it with the scenes of action, “We make for the rear, pull wire cradles into the trench and leave bombs behind us with the strings pulled…”, and only then does he delve into the inner character workings and musing. “We have become wild beasts.  We do not fight, we defend ourselves against annihilation…”

“E. M. Remarque shows us that what drives his story is the inner parts of a man.”

What is absent from the author’s story is any plot or typical character development. There is no arch.  No one, or nothing, is keeping Paul from his true love or his goal; nor is Paul fighting for any altruistic reason, he neither seems to be fighting against any real enemy or even himself, and he fights for no reason.  Paul is merely a man struggling to exist as a soldier in a war.  The author fills in the blanks and the storyline with, instead of a typical hero/love plot, reflections from a young soldier as he struggles through war and ultimately ends up with nothing and no one.  There is no growth.  No middle.  No climax.  No end.  No conclusion.  But the story misses nothing, and through the author’s technique of internal character exploration, the story is carried on even though we have no definitive storyline to carry us through.  War calls for no further subtext than a soldier trying to stay alive, and keep his sanity.  There is no different war story to be told.  This is what the author gives us.

A book made of such mental vivisection that if it were any more real, readers would have to be treated for PTSD.

“And this I know: all these things that now, while we are still in the war, sink down in us like a stone, after the war shall waken again, and then shall begin the disentanglement of life and death.”

“The days, the weeks, the years out here shall come back again, and our dead comrades shall then stand up again and march with us, our heads shall be clear, we shall have a purpose, and so we shall march, our dead comrades beside us, the years at the front behind us: –against whom, against whom?”

What I’ve learned from this book is that character and internal landscape is king, and combined with good scenery, good action, and good dialogue, a classic can be born. E. M. Remarque shows us that what drives his story is the inner parts of a man, but in order for that to work the scenery must be setup, then the scene itself, and then the inner musings.

For more annotative essays and other book related stuff click here.

Picture: Flickr/ Gwydion M. Williams

Best Of, Blogishness, Blogishness, MFA Notes, Self Improvement / Healthy Living, Self Improvement / Healthy Living, Uncategorized

Creative Writing (Various MFA Notes)

creative writing notesCreative Writing: Combination Notes

In these notes, the final in our series of MFA Notes, I’m going to combine any leftover notes that are too short to require completely new blog posts.

Sections covered:

  • The Sentimental Trap.
  • Subtlety of Transitions.
  • Giving Effective Feedback.
  • Character Arc: 1st POV.
  • Pain for Laughs: Making Characters Comedic and More Complex.

 The Sentimental Trap

Sentimental writing tells us what we already know, while writing that is full of sentiment, surprises, shakes us up, and moves us through originality, complexity, and the renewal of perception. It means to be scared, beyond sweaty palms and a racing heart. To be in love, beyond butterflies in the stomach.

Clichés are superficial – the woman biting her nails = she’s nervous. Biting nails is a cliché for conveying nervousness. Go deeper. Beyond, behind, the nail biting.

“Figure out what you really saw and really felt, not what you’re suppose to see or feel.” – Hemmingway

Be precise and specific. Dig deep and avoid clichés.

Main Point:

Sentimentality = Bad.

Sentiment – Good.

Subtlety of Transitions

You can prepare the reader for transitions.

Take risks as a writer. Sometimes A + B does not equal C.

All punctuation is a type of transition.

There are natural transitions in conversation/dialogue. Use those.

Giving Effective Feedback for Creative Writing

Look at the work through different lenses. Both as a reader and a writer.

Sometimes people aren’t ready for certain feedback. Ask yourself what feedback would benefit someone the most?

Make sure you’re aware if you’re looking at a tenth draft or a first draft. If it’s a first draft you’ll know not to bother with certain punctuation and grammer issues, since those shouldn’t have to be worried about until the final draft (it’s pointless to worry about commas and dangling modifiers when the sentences in which they appear will probably differ from draft to draft). And if it’s a final draft that’s when you’ll know to give it a closer line reading and make sure every comma is in its place.

Detail: Positive construction and negative construction they’re only useful if they’re in detail. Can’t just say “I like this,” “I don’t like that.” Detail helps (make as specific as possible).

Writing Prompt:

“He jumped from a cliff into the ocean. His head cracked wide, his blood swept out with the tide. “Rinse a cut with salt water,” his mother always said. But it was too late he floated dead.”

Detach from outcome. Give all you can and then just let go.

Character Arc – 1st POV

Character arc = Transformation.

What happens to a character vs. what goes on inside them.

Feel the character. Their emotional arc. *There should always be a plot arc, but we also need the emotional arc.*

Push the characters to the brink, where they have no choice left but to change.

The moment of truth. The moment of change. THE PUSH.

Pain for Laughs: Making characters comedic and more complex

Dark comedy – flawed people in pain. For a flawed character, sometimes the more pain, the more the obsession, the funnier it becomes

[For a good example watch the movie Dr. Strangelove.]

Uncomfortable → Tension → Release

What is their ruling obsession? Routine can be an obsession. Obsession can be out of character too.

Dark Comedy: Make sure it’s a combination. Don’t let it get too funny, too light, too goofy, you still want to keep that layer of darkness. Conversely, don’t let it get too dark, you need some comedy to lighten the darkness.

 *These notes were from a combination of student taught classes at Lesley’s MFA program.*

Click here to see more MFA Notes

Recommended book for this section: Unless It Moves the Human Heart: The Craft and Art of Writing, by Roger Rosenblatt.

Picture: Flickr/Hannah Conti

 About these MFA Notes: Revising your creative writing

Recently, I graduated from Lesley University with an MFA in creative writing, and I decided that I wanted to share what I learned in a series of blog posts.

I decided to share for two reasons:

1) My notes, although not too detailed, could possibly  help other writers.

2) Rewriting my notes forces me to re-read and re-think everything I learned, so it’s a win-win.

But before we dive in, please keep two things in mind:

1) These notes are neither complete nor perfect. The classes at Lesley were not typical lecture/note classes; the classes were filled with writing and thinking exercises and often this left no time for notes (in a good way). However, even with that, these sparse notes, I do believe, could still offer value.

2) I may, from time to time, include actual writing prompts from the classes, please bare with me, they’re first drafts and were done in the moment.

I hope you enjoy this series of notes and if you have any questions about the notes, Lesley University, or MFA’s, please feel free to contact me.